The art exhibition was well-designed ______ the disarrangement of a few photos.A．exceptB．e

The art exhibition ______ this Saturday.

A．hold B．is to be held C．will hold D．is going to hold

s old.英译汉

A. transmits

B. transfers

C. transports

D. transplants

翻译Some of her pictures were shown in an art exhibition(展览会)in Shanghai when she was 4 years old.

A. 她的一些画就在上海的一个艺术展览会上展出，她四岁了。

B. 她四岁在上海的时候在一个艺术展览会上展出她的画。

C. 四岁的时候她的一些画就在上海的一个艺术展览会上展出。

A．to ask the professor about an article she wrote

B．to ask the professor’s opinion about an art exhibition

C．to ask the professor to approve a topic of a paper．

D．to ask the professor to write to her colleague on the student’s behalf

Gallery, in the south-west of England, was the kind of place you went to see classical statues and stuffed animals in cases until the arrival of the “Banksy versus the Bristol Museum” exhibition in the summer of 2009. The exhibition hosted more than 100 works by Banksy, one of the world’s most famous graffiti artists. Banksy is a man of mystery. He hardly ever gives interviews and likes to be anonymous. Nobody knows much about his life or his background but many people believe that his real name is either Robin Gunningham, Robert Banks or Robin Banks and that he was born in 1973 near Bristol. Banksy’s controversial “street art” includes spray paintings on live sheep and cows and graffiti on the huge wall erected to divide Israel and Palestine. Brad Pitt spent over 2 million dollars on a Banksy original. Banksy designed an album cover for the Britpop group Blur in 2003 but he has refused at least four requests to do adverts for Nike. A year after the Bristol exhibition, Banksy made a film called Exit Through the Gift Shop. The film tells the story of a French street artist in America. Exit Through the Gift Shop received many positive reviews. Nobody knows if it was about a real artist or an invented character from Banksy’s imagination. Bristol isn’t the only place in Britain to welcome graffiti. The DPM Park in Dundee, Scotland has the longest legal graffiti wall (almost 110 metres long) in the UK. Anyone can paint on the council-owned wall any time they like. Mike Crilley, the graffiti wall project organiser, promotes the positive side of graffiti and runs workshops for local children. Is everyone doing graffiti？ Can we do graffiti where we want these days？ Not exactly. It’s illegal to paint on somebody else's property so make sure you find a legal graffiti wall like the one in Dundee if you want to have a go.

(1)What do people used to expect to see in Bristol Museum and Art Gallery？

A. Works by famous graffiti artists.

B. Works by Banksy.

C. Classical statues and stuffed animals in cases.

D. Works by anonymous graffiti artists.

(2)What happened in Bristol Museum and Art Gallery in the summer of 2009？

A. The “Banksy versus the Bristol Museum” exhibition was hosted.

B. The “Banksy versus the Bristol Museum” exhibition was refused.

C. More than 100 works by Banksy were sold.

D. Brad Pitt spent over 2 million dollars on a Banksy original.

(3)Which of the following is not mentioned as graffiti by Banksy？

A. Spray paintings on live sheep and cows.

B. Graffiti on the huge wall between Israel and Palestine.

C. Works exhibited in Bristol Museum and Art Gallery in 2009.

D. Exit Through the Gift Shop.

(4)Which of the following is not true of Banksy？

A. He hardly ever gives interviews.

B. He refused to design an album cover for Blur in 2003.

C. He has refused at least four requests to do adverts for Nike.

D. Banksy is a man of creativity.

(5)Where can we do graffiti these days？

A. Wherever we want.

B. On somebody else's property.

C. A legal graffiti wall.

D. In museums and art galleries.

rom its current location in the suburban town of Merion, Pa., to a site in Philadelphias museum district caused an argument — not only because it shamelessly went against the will of the founder, Albert C. Barnes, but also because it threatened to dismantle(拆开)a relationship among art, architecture and landscape critical to the Barness success as a museum.

For any architect taking on the challenge of the new space, the confusion of moral and design questions might seem overwhelming. What is an architects responsibility to Barness vision of a marvelous but odd collection of early Modern artworks housed in a rambling(布局凌乱的)1920s Beaux-Arts pile？ Is it possible to reproduce its spirit in such a changed setting？ Or does trying to replicate(复制)the Barness unique atmosphere only doom you to failure？ The answers of the New York architects taking the commission are not reassuring. The new Barnes will include many of the features that have become virtually mandatory(强制性的)in the museum world today — conservation and education departments, temporary exhibition space, auditorium, bookstore, cafe — making it four times the size of the old Barnes. The architects have tried to compensate for this by laying out these spaces in an elaborate architectural procession that is clearly intended to replicate the peaceful-ness, if not the fantastic charm, of the old museum.

But the result is a complicated design. Almost every detail seems to ache from the strain of trying to preserve the spirit of the original building in a very different context. The failure to do so, despite such an earnest effort, is the strongest argument yet for why the Barnes should not be moved in the first place.

The old Barnes is by no means an obvious model for a great museum. Inside the lighting is far from perfect, and the collection itself, mixing masterpieces by Cezanne, Picasso and Soutine with second-rate paintings by lesser-known artists, has a distinctly odd flavor. But these apparent flaws are also what have made the Barnes one of the countrys most charming exhibition spaces. But today the new Barnes is after a different kind of audience. Although museum officials say the existing limits on crowd size will be kept, it is clearly meant to draw bigger numbers and more tourist dollars. For most visitors the relationship to the art will feel less immediate.

The Old Barnes becomes a successful museum mainly because of______.

A. the beneficial geographical position in a suburban town

B. its unique design and orderly collection of arts

C. the influence of its founder Albert C. Barnes

D. the perfect connection among art, architecture and landscape

Lucy要去艺术展览中心 ,向一位男士问路，该男士告诉她如何前往。

(L=Lucy;S=Sir)

L: Excuse me ,sir. 51__________________ the Art Exhibition Centre？

S:Yes but it is quite far.It&39;S about an hour&39;Swalk.You can take a bus there.

L: 52__________________ ？

S:You can take Bus No. 15.

L: 53__________________ ？

S:About 20 minutes. And you can also take a taxi.

L:Taxi？ That&39;S a good idea. Thank you very much.

S: 54__________________ .

L:Goodbye. S; 55__________________。

51__________________

53__________________

52__________________

54__________________

55__________________

请帮忙给出每个问题的正确答案和分析，谢谢！

A. of the costumes with the period of the movie

B.on

C.out

D.with

E.down

draw lines everywhere see her father decided to help her.He gave her paint brushes and paper.She practiced hard and improved very quick so Her lines became flowers, trees and animals.Some of her pictures were shown in an art exhibition in Shanghai at the age of 4.

By age six, Yani had made over 4,000 paintings.She loved to draw animals, especially monkeys and cats.Although her father was good at drawing, he didn't give her any art lessons.He even stopped painting his own pictures.Instead.he often took the little girl to parks and zoos to get ideas for her work.In this way, Yani developed her own style. of painting with bright colors.All her pictures were different from others.At the age of 8, one of her monkey paintings was made into, Chinese stamp.Later, she started to draw pictures of country scenery and people.

And when she was just 14, she became the youngest person person to have personal shows in Washington D.C.an many other cities around the world.

6.Wang Yani pictures were first shown in Gongcheng.()

A.T

B.F

7.She was especially good at drawing monkeys and A cats before she was eight.()

A.T

B.F

8.Her father took her to zoos and parks because he wanted the girl to get idea.()

A.Te

B.F

9.Yani had her personal shows in Washington D.C.A at the age of 14.()

A.T

B.F

10.Yani's father often gave her art lessons.()

A.T

B.F