I ___light blue ____dark blue.

He was of medium height with blond hair and light blue eyes. (英译汉)

My aunt goes for this year’s ______. Light blue is her favorite.

A: styles

B: logos

C: colors

D: advertisements

A.logos

B.styles

C.advertisements

D.colors

A light used to signal passing intentions must be an ______.

A.all-round yellow light only

B.all-round white light only

C.all-round blue light only

D.alternating red and yellow light

Colors Associated with Feeling and Attitudes

We all associate colors with feeling and attitudes. In politics dark blue often means" tradition", and red means "social change". But blue can also mean sadness (I'm feeling blue ), white is often for purity, although in China white is worn for funerals, and red is used to express the joy of a wedding, in Western Europe white is worn at weddings and black for funerals. Advertisers are aware of the importance of selection colors according to the way people react to them. Soap powders come in white and light blue packets (clean and cold, like ice ); cereals often come in brown packets (like wheat fields ), but cosmetics never come in brown jars (dirty !).

Where do these ideas come from？ Max Luscher from the University of Geneva believes that in the beginning life was dictated by two factors beyond our control: night and day. Night brought passivity, and a general slowing down of metabolism (新陈代谢); day brought with it the possibility of action, and increase in the metabolic rate, thus providing us with energy and initiative. Dark blue, therefore, is the color of quiet and passivity, bright yellow the color of hope and activity.

In prehistoric times, activity as a rule took one of two forms: either we were hunting and attacking, or we were being hunted and defending ourselves against attack. Attack is universally represented by the color red; self-preservation by its complement green.

In Luscher's view, the association of colors with feeling and attitudes can be traced back to______.

A．the association of day and night with passivity and action in ancient time

B．the association of black with funerals in Western Europe

C．the association of white with purity in some countries

D．the association of red with joy in China

radition", and red means "social change". But blue can also mean sadness (I'm feeling blue). White is often for purity, although in China white is worn for funerals, and red is used to express the joy of a wedding, in western Europe white is worn at weddings and black for funerals. Advertisers are aware of the importance of selecting colors according to the way people react to them. Soap powders come in white and light blue packets (clean and cold, like ice); cereals often come in brown packets (tike wheat fields), but cosmetics never come in brown jars (dirty).

Where do these ideas come from？ Max Luscher from the University of Geneva believes that in the beginning life was dictated by two factors beyond our control: night and day. Night brought passivity, and a general slowing down of metabolism; day brought with it the possibility of action, and increased in the metabolic rate, thus providing us with energy and initiative. Dark blue, therefore, is the color of quietness and passivity, bright yellow the color of hope and activity.

In prehistoric times, activity as a rule took one of two forms: either we were hunting and at- tacking, or we were being hunted and defending ourselves against attack. Attack is universally re- presented by the color red; serf-preservation by its complement green.

In Luseher's view, the association of colors with feeling and attitudes can be traced back to______.

A．the association of day and night with passivity and action in ancient time

B．the association of black with funerals in western Europe

C．the association of white with purity in some countries

D．the association of red with joy in China

The Coordinator Surface Search（CSS）in a SAR situation should display by night ______．

A.Deck lights forward and aft

B.A white light over two red lights

C.A red light，white light，and blue light in a vertical line

D.A distinctive signal promulgated by the CSS