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Art is a symbolic way to communicate. One of the most important functions of art is to c

ommunicate, display, and reinforce important cultural ________ and _______.

A、themes, behaviors

B、beliefs, attitudes

C、attitudes, behaviors

D、themes, values

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更多“Art is a symbolic way to communicate. One of the most important functions of art is to c”相关的问题

第1题

A.She thought it was a good idea.B.She wanted to read about art first.C.She didn' t wa

A.She thought it was a good idea.

B.She wanted to read about art first.

C.She didn' t want to go.

D.She said she was too tired

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第2题

Which of the following are features of the Chen Family Temple?
A.All the houses in the temple are gable-roofed with two slopes to drain away the rainwater.

B.The decoration of the temple is of local feature

C.Local skills such as stone-carving, brick-carving, wood-carving, lime sculpture,ceramic figurine and iron-casting are applied for the decoration of the Chen Family Temple

D.The works of art in the temple are not just for the purpose of decoration, but also bear symbolic meanings or depict scenes from stories of Chinese history or legends.

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第3题

A study of art history might be a good way to learn more about a culture than is possible
to learn in general history classes. Most typical history courses concentrate on politics, economics, and war. But art history focuses on much more than this because art reflects not only the political values of a people, but also religious beliefs, emotions, and psychology. In addition, information about the daily activities of our ancestors—or of people very different from our own—can be provided by art. In short, art expresses the essential qualities of a time and a place, and a study of it clearly offers us a deeper understanding than can be found in most history books.

In history books, objective information about the political life of a country is presented; that is, facts about politics are given, but opinions are not expressed. Art, on the other hand, is subjective: it reflects emotions and opinions. The great Spanish painter Francisco Goya was perhaps the first truly "political" artist. In his well-known painting The Third of May, 1808, he criticized the Spanish government for its misuse of power over people. Over a hundred years later, symbolic images were used in Pablo Picasso's Guernica to express the horror of war. Meanwhile, on another continent, the powerful paintings of Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros-as well as the works of Alfredo Ramos Martinez-depicted these Mexican artists' deep anger and sadness about social problems.

In the same way, art can reflect a culture's religious beliefs. For hundreds of years in Europe, religious art was almost the only type of art that existed. Churches and other religious buildings were filled with paintings that depicted people and stories from the Bible. Al though most people couldn't read, they could still understand biblical stories in the pictures on church walls. By contrast, one of the main characteristics of art in the Middle East was (and still is) its absence of human and animal images. This reflects the Islamic belief that statues are unholy.

More can be learned about a culture from a study of art history than general history because art history ______.

A.shows us the religious beliefs and emotions of a people in addition to political values.

B.provides us with information about the daily activities of people in the past

C.gives us an insight into the essential qualities of a time and a place

D.all of the above

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第4题

That Louis Nevelson is believed by many critics to be the greatest twentieth-century sculp
tor is all the more remarkable because the greatest resistance to women artists has been, until recently, in the field of sculptor. Since Neolithic times, sculpture has been considered the prerogative of men, partly, perhaps for purely physical reasons: it was erroneously assumed that women were not suited for the hard manual labor required in sculpting stone, carving wood, or working in metal. It has been only during the twentieth century that women sculptors have been recognized as major artists, and it has been in the United States, especially since the decades of the fifties and sixties that women sculptors have shown the greatest originality and creative power. Their rise to prominence parallels the development of sculpture itself in the United States, while there had been a few talent- ed sculptors in the United States before the 1940s, it was only after 1945--when New York was rapidly becoming the art capital of the world--that major sculpture was produced in the United States. Some of the best were the works of women.

By far the most outstanding of these women is Louis Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic, Hilton Krarner, said of her work, "For myself, I think Ms. Nevelson succeeds where the painters often fail."

Her work have been compared to the Cubist constructions of Picasso, the Surrealistic objects of Miro, and Merzbau of Schwitters. Nevelson would be the first to admit that she has been influenced by all of these, as well as by American sculpture, and by native American and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Nevelson says, "I have always wanted to show the world that art is everywhere except that it has to pass through a creative mind."

Using mostly discarded wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural constructions of great beauty and power. Creating very freely with no sketches, she glues and nails objects together, paints them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere. Although she denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as Sky Cathedral and Night Cathedral, suggests such connotations. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither Louis Nevelson nor her art fits into any neat category. (450)

The passage focuses primarily on ________.

A.a general tendency in twentieth-century art

B.the work of a particular artist

C.the artist influences on women sculptors

D.materials used by twentieth-century sculptors

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第5题

A study of art history might be a way to learn more about a culture than is possible to learn in general classes.Most typical history courses concentrate on poliyice,economics,and wars.but art history focuses on much more than this because ant elele not ony th plirarl wlus oaple but ako eiosegieemotions,and pyhology (心理学) .In addtion iormation abount the daily arvitis of ou acestorar ofpeople very dfent from our owIrCan be provided by art.In short,art expreses the esetia qlfiofaotime and a place,and a study of it cearly ofers us a deeper understanding than what can be found in mosthistory books.In history books,obiective information about the pltial life of a country is presentedt that is,facts about politics are given,but opinions are not expressed.Art,on the other hand,is subjetive.it rfleteemotions and opinions.The great Spanish painter Franciso Goya was perhaps the first truly political artit In hiswell-known painting The Third of May,1808,he criticized the Spanish government for its misuse of power overpeople.Over a hundred years later,symbolic images were used in Pablo Picasso S Guemnica to expess thehorror of war.Meanwhile,on another continent,the powerful paintings of Diego Rivera,lose Clements Orozco,and David Alfaro siqueires as well as the woks of Atredo Ramos Martinene showed these Meianartists deep anger and sadness about social problems.In the same way,art can reflect a culture' s religious beliefs.Forhundreds of years in Europe,religious art was almost the only type of art that existed.Churches and otherreligious buildings were filled with paintings that painted people and stories from the Bible.Although mostpeople couldn' t read,they could still understand biblical stories in the pictures on church walls.By contrast,orof the main characteristics of art in the Middle East was (and still is) its absence of human and animal images.This reflects the Islamic(伊斯兰教的)belief that statues are unholy.

1.Wnich of the fllowing sentences is WRONG acording to the pssage?()

A.Information and facts about politics are given objectively in history.

B.Art can provide information about the everyday activities of ancient people.

C.Arthistory concentrates on religious beliefs,emotions and psychology only.

D.Franciso Goya was perhaps the first truly political artist.

2.History books are objective because().

A.it will make the viewers angry and sad about history

B.it canhelp us understand hstrial facts better

C.personal and emotinal opinins are exrese thoughit

D.opinions about facts are not epessed

3.The two pictures The Third of May,1808 and Guernica mentioned in paragraph 2 show that().

A.art can elet pltiail lite of a county

B.artists are very similar even over a hundred years

C.artis subjective

D.history books present objective infomation

4.According to the passage,what might be found in Islamic paintinigs?()

A.Buildings.

B.Men.

C.Women.

D.Horses.

5.The passage is mainly discsing().

A.the dferece between general history and arhistory

B.what we can learn fromart

C.the infuence of artists onarthistory

D.the development ofart history

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第6题

Symbolic delivery Physical delivery Partial shipment Transshipment

Symbolic delivery Physical delivery Partial shipment Transshipment

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第7题

Symbolic Delivery
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第8题

We use language as symbolic code to represent the world around us.()

We use language as symbolic code to represent the world around us.()

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第9题

in ireland,the president is only a symbolic head of state and does not have executive
power. ()

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第10题

Which of the following does not affect the symbolic representations?A.HistoryB.Mythology

Which of the following does not affect the symbolic representations?

A.History

B.Mythology

C.Gender

D.Culture

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